Patrick flies to New York to collect his father’s ashes and goes on to spend a drug-crazed 24 hours. Vine FX transformed the streets of Glasgow into 1980's New York. They replicated period cars and extended buildings.
Also, they created CG gecko constantly appearing in every episode. During the first of his father’s assaults, young Patrick suffered an out-of-body experience and felt himself disappear into the body of a gecko which followed him in his later stages of life.
Production Company
Little Island Productions |
Executive Producers
Helen Flint
Rachael Horovitz
Michael Jackson |
Producer
Stephen Smallwood |
Director
Edward Berger |
Vine FX |
Visual Effects Supervisor
Michael Illingworth |
On set VFX Supervisor
Oliver Milburn |
Visual Effects Coordinator
Laura Usaite |
|
CG Supervisor
Matt McKinney |
Traditional animator
Sharon Smith |
Digital Matte Painter
Paul Phippen |
|
Compositors
Adrian Banton
Simon Holden
Jasdip Sagar
Ivan Grozev
Gergana Alexandrova
|
Source: The Evening Times
May 2018 - The Evening Times talks to Michael Illingworth about Vine FX contribution to Patrick Melrose
Source: The National
May 2018 - Vine FX transformed Glasgow into 1980s New York